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Original Art - Helen Bartholomew


Female Figure II

Female Figure II

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   £195.74
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Life drawing: quick and expressive. These works can reveal much about the artist. Skilled drawing is one of the key requirements for this type of work however instinct and intuition play a very important role.
Framed charcoal on paper. Dimensions 56 x 47 x 2cm


Birthday

Birthday

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   £342.55
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On my last birthday I was handed a yellow bag containing a pretty blue candleholder wrapped up in pink tissue paper. As soon as I opened it up and saw the colours I announced ' I'm going to paint these' and here they are. Thank you Delia for the inspiration.


Reclining Female Nude

Reclining Female Nude

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   £342.55
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Our model kept the same pose for two consecutive Sundays allowing me to 'polish' this life painting.The inspiration came after looking at images by Modigliani; an artist known for his paintings of women.
Unframed oil on board 27 x 30cm


Sweet Peas and Apple

Sweet Peas and Apple

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   £391.48
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This is a 'quick' painting. Painted in one afternoon. The brushstrokes are broad and instinctive. I find that when painting quickly the stronger colours that catch my eye tend to dominate the painting. The quieter colours usually creep in after some thought, hence the colours in this painting are possibly brighter than in reality.
Framed oil on board 51 x 40.5 x 1.8


Afterlife

Afterlife

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   £391.48
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This painting has the look and feel of an 'old masters' religious painting .Although this is painted from the photograph of a small wooden panel I have imposed my own personality on it by giving it an abstracted background. Keeping the tones very low and close makes it feel quite surreal. And as for the title, what else could it be?
Framed oil on panel. Dimensions 51 x 40.5 x 2.5cm


Lower Holbrook Silver

Lower Holbrook Silver

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This silver jug is an absolute gem to paint. It is an old family heirloom belonging to a friend who very kindly allowed Hils and I to borrow it. This is a winter painting which, I think, shows in the cool pallet. There are tiny spots of heat, indicated with red and ochre, within the jug as it reflects the warmth of the studio lights to the left of the painting.
Framed oil on canvas. Dimensions 48.8 x 38.8 x 1.5cm


Fragments

Fragments

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This is one of my quiet semi-abstract pieces. It is made up of oil paint, muslin and tissue paper. This painting reveals my personal feelings about our planet and all that reside on it. I see Mother Nature as my God and try to respect all living creatures no matter how insignificant they may seem.
Framed oil and collage on panel 36 x 29.5 x 3.3 cm


Lower Holbrook Window

Lower Holbrook Window

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At the beginning I wanted to see a much greater contrast between the inside of the studio and the outside. I painted the light outside with a much brighter tone. Over several weeks this gradually changed to the colour and tone that you see now. Although this may not be a true representation of the view it works in the painting allowing the red, yellow and blue to glow. There are times when the painting takes over from the observed view to make the final piece 'work'.
Framed oil panel. Dimensions 51 x 40.5 x 1.8cm


Morning Heat

Morning Heat

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The scene is at the top of Park Lane overlooking the fields towards the River Dove. It's a sweltering morning in July just at the beginning of a heat wave.
Framed oil on panel. Dimensions 47 x 36.8 x 1.8cm


Snowdrops in the Studio

Snowdrops in the Studio

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Imagine a cold January day. Grey, overcast and short. What do I paint? I look at the garden from my studio and see brown, grey, a little bit of green and snowdrops.
Framed oil on board. Dimensions 48 x 38 x 1.8cm


Winter Sun

Winter Sun

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Any painter with a conventional mind would have placed the flowers within the rectangle, but no, my attention focuses on the light filtering through the cotton sheet. The flowers, which I have splashed on by pallet knife, pop up through the bottom of the panel in a most unconventional way.
Framed oil on panel. Dimensions 50.7 x 40.4 x 2.5cm


Bowl - Oil

Bowl - Oil

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   £489.36
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I started this painting with a fresh mind and a clear studio after our group exhibition at Orwell Park School. I knew that I wanted to do a still and quiet painting, but wasn't sure what objects to use. The complete process took approximately two months.
Unframed oil on muslin over panel 40.3 cm x 30.4 cm


This Old Man

This Old Man

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   £587.24
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When I started this painting the only object shown was the French pate jar bought from an antique street fair that summer. The jar is a rich creamy yellow with a hard glossy shine to it. But, the thing that caught my eye, with the view of painting it, were the sinister little faces moulded onto the sides of the jar.
Framed oil on board. Dimensions 56.3 x 46.3 x 1.8cm


Through the Darkness

Through the Darkness

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   £734.05
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There are two sources of inspiration that feed into this painting. The first inspiration relates to the size and scale of the piece. When 'we' are taught drawing/art at school there is much emphasis placed on composition, that is, where we choose to place objects within the space provided. This painting goes against convention as I have chosen to place both the rabbit and the text centrally in the panel.
Framed oil on board. Dimensions 75 x 64.8 x 1.8cm


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